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  Whether the mood is coded as realis or irrealis depends on the modality
  of the verb phrase. Each verb in Araki must be marked with either Realis or Irrealis mood.
  From noun to verb or adjective (referring not to an of the world, but to a
  process/state which is normally caused by it). This can be extended not only to
  phrases headed by a verb, but also to phrases
  headed by an adjective or a numeral. It
  never occurs alone, but is always followed by an adjective or a place name.
  
  Some verbs can be described as having oblique transitivity, since they are usually followed by an oblique (generally, prepositional)
  complement. Several scholastically constructed mappa mundi inserted the classical 12-winds.
  
  Among these, are the 8th-century Beatus of Liébana mappa
  mundi, the 10th-century Reichenau T-O map, the 12th-century 'Henry of
  Mainz' mappa mundi (c.1110), the 13th-century Ebstorf
  map, and the 14th-century Ranulf Higden world map. This made possible a mechanism
  causing each coin to make a different series of sounds as
  it fell into the cash box; thus an operator listening could tell how much had been inserted.
  Semantically, verbal reduplication triggers features such as non-referentiality/genericity of the object,
  and thus is generally associated with noun incorporation. Reduplication is also the main device,
  if not the only one, which allows a word to change its syntactic category.
  Araki uses reduplication in order to present a notion as intense, multiple
  or plural in one way or another. This indicates that the two clitics must have
  different uses. Clause chaining is the combination of at least two clauses (C1 and C2), without any coordinator, subordinator or any other kind of overt link between them.
  A much more frequent strategy in Araki is that of clause chaining.
  However, this phenomenon is more limited in Araki than it is
  in English.
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